Gouache on paper, framed. Featuring a cubist composition of still life objects. Signed and attr. Paul Klee (Swiss, 1879-1940) on the lower left corner. 28 x 20 cm. Frame size: 40 x 30 cm) (11 x 7.8 inches).Known for his unique pictorial language and innovative teachings at the Bauhaus, Paul Klee had far-reaching influence on 20th-century modernism. In an early attempt to master color, he associated himself with the group Der Blaue Reiter (The Blue Rider), working closely with friend and future Bauhaus colleague Wassily Kandinsky. While engaged with artistic theory, Klee also admired children’s art, wanting his own style to be similarly unaffected. And his dream-like pictures made him popular with the Surrealists, though he never officially became one. Klee’s work can be humorous, his fantastic drawn subjects conveying a playful sense of absurdity, as with his famous Twittering Machine (1922). Later in his career, he began to build up thicker painted surfaces and simplify his compositions, replacing precise line-work with fewer, bolder forms. Klee’s art and lessons on color theory would greatly impact later generations of artists, including, significantly, the Abstract Expressionists and Color Field painters. PROVENANCE: Southern Ontario estate

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.